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Unique Durations: 8-9
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BSG
Pergolesi/Magatagan/BSG: Stabat Mater Dolorosa quartet
BSG
4:46 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100%
Violin
1		 Treble 23 0 8 8 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100%
Violin
1		 Treble 23 0 8 8 100%
Violin
2		 Treble 21 0 7 8 100%
Viola 18 0 6 8 96%
 
J. S. Bach: Arioso - Betrachte, meine Seele (aus Johannespassion, BWV 245)
BSG
2:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Liuto Treble 15 0 4 2 89%
Bass 25 0 9 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Liuto Treble 15 0 4 2 89%
Bass 25 0 9 4 100%
Cto Bass 16 0 5 1 100%
Vn
1		 Treble 18 0 7 1 100%
Vn
2		 Treble 19 0 6 1 100%
Bass Bass 16 0 5 4 83%
 
J.D. Zelenka: Lamentatio I (complete, from ZWV 53)
BSG
16:22 Est. Play
Time
150 Measures
1,706Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
Violin
1		 Treble 28 0 11 11 75%
Violin
2		 Treble 27 0 11 9 75%
Bass Bass 16 0 5 9 74%
Viola 23 0 7 9 59%
Oboe
1		 Treble 19 0 8 9 31%
Oboe
2		 Treble 19 0 7 8 29%
 
J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG
BSG
4:22 Est. Play
Time
75 Measures
1,889Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
Continuo Bass 20 0 5 3 99%
Violoncello Bass 20 0 5 3 99%
Tenors Treble 10 0 0 6 45%
 
Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)
BSG
6:56 Est. Play
Time
133 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
Bass 23 17 7 4 100%
Alto Treble 12 0 1 4 76%
Soprano Treble 10 0 1 2 76%
Bass Bass 17 0 4 4 57%
Tenor Treble 10 0 1 4 57%
Descant Treble 9 0 1 4 19%
 
J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis
BSG
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
Contrabass Bass 17 0 5 3 100%
Soprano Treble 8 0 0 4 100%
Tenor Treble 9 0 1 4 100%
 
Aus tiefer Noth (Straßburger Mel.) - Choralvorspiel, 1988
BSG
2:19 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass
Recorder		 Bass 16 0 5 4 100%
Oboe Treble 8 0 0 8 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass
Recorder		 Bass 16 0 5 4 100%
Oboe Treble 8 0 0 8 100%
Ped. Bass 16 0 5 4 100%
Solo
Exec.		 Treble 10 0 2 8 100%
Recorder 18 0 6 8 97%
 
J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)
BSG
3:10 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
Oboe Treble 20 0 8 9 74%
Bass Bass 15 0 3 5 67%
Soprano Treble 17 0 6 7 64%
 
J.S. Bach: Ich steh’ mit einem Fuß im Grabe (BWV 156, #2)
BSG
7:28 Est. Play
Time
113 Measures
1,717Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 27 0 10 6 99%
Contrabass Bass 27 0 10 6 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 27 0 10 6 99%
Contrabass Bass 27 0 10 6 99%
Strings Treble 20 0 7 6 97%
Tenor Treble 18 0 5 8 73%
Chorale Soprano Treble 9 0 1 4 32%
 
Georg Böhm (1661-1733): Vater unser im Himmelreich
BSG
4:00 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Recorder Bass 24 0 8 3 100%
Pan
Flute		 Treble 26 16 7 6 95%
Oboe Treble 20 0 6 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Recorder Bass 24 0 8 3 100%
Pan
Flute		 Treble 26 16 7 6 95%
Oboe Treble 20 0 6 8 89%
 
J. S. Bach: Chorus: "Es ist nichts Gesundes an meinem Leibe", BWV 25 #1
BSG
4:58 Est. Play
Time
74 Measures
1,502Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 25 0 9 7 99%
Contrabass Bass 25 0 9 7 99%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 25 0 9 7 99%
Contrabass Bass 25 0 9 7 99%
Violin
2		 Treble 20 0 6 5 89%
Viola 23 0 8 5 88%
Violin
1		 Treble 20 0 7 6 86%
Alto Treble 16 0 6 5 85%
Bass Bass 18 0 6 8 84%
Tenor Treble 18 0 6 6 84%
Soprano Treble 17 0 6 7 81%
Tenor
Trombone		 12 0 3 4 28%
12 0 3 5 28%
Bass
Trombone		 Bass 14 0 4 6 28%
C
Trumpet		 Treble 8 0 0 4 28%
 
J.S. Bach: Coro: Herr, unser Herrscher (BWV 245 (Johannespassion), #1)
BSG
8:48 Est. Play
Time
96 Measures
3,564Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 18 0 7 3 100%
Contrabass Bass 18 0 7 3 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 18 0 7 3 100%
Contrabass Bass 18 0 7 3 100%
Vcl./Fagotto Bass 18 0 7 3 100%
Viola 26 0 12 3 100%
Violin
1		 Treble 28 0 10 3 100%
Violin
2		 Treble 28 0 10 3 100%
Fl./Ob.
1		 Treble 22 0 9 6 98%
Flute
1		 Treble 22 0 9 6 98%
Fl./Ob.
2		 Treble 21 0 8 6 95%
Flute
2		 Treble 20 0 8 6 95%
Bass Bass 22 0 9 6 78%
Tenor Treble 20 0 8 5 78%
Alto Treble 21 0 7 7 76%
Soprano Treble 22 0 9 6 76%